Medieval art series#
Medieval art free#

Through our membership of CHASE (Consortium for the History of Art in the South East), our PhD students have opportunities to collaborate in a broader academic world with a number of other universities. Our doctoral students are a supportive group of people who share the joys and occasional frustrations of carrying out research. Each year we take approximately 30 students on to the various Byzantine and medieval MA Special Options that we offer, and we have a strong community of more than 20 PhD students. The Courtauld’s Medieval and Byzantine community is lively and friendly. A Reader in East-Central-European Modernism 1918–1956Ībbey Doorway, Ivry-la-Bataille, Eure, France, 12th century.Continuous Page: Scrolls and Scrolling from Papyrus to Hypertext.Gothic Architecture in Spain: Invention and Imitation.Gothic Ivory Sculpture: Content and Context.Collaboration and its (Dis)Contents: Art, Architecture, and Photography since 1950.Modernist Games: Cézanne and his Card Players.Ruskin’s Ecologies: Figures of Relation from Modern Painters to The Storm-Cloud.Revisiting the Monument: Fifty Years Since Panofsky’s Tomb Sculpture.Towards an Art History of the Parish Church, 1200–1399.Imagining The Apocalypse: Art And The End Times.A State of Vital Exhaustion, Harry Woodlock, 2020.Expiration: the last breath, Franco “Bifo” Berardi, 2018.The Burnout Society, Byung-Chul Han, 2015.Faint with Light: Marianna Simnett in conversation with Sarah Wilson.Staying open: Rózsa Farkas on space in the reality of coronavirus.

Medieval art free#

Render visible: on wellness and free markets with Ed Fornieles.Creators in the get-rich economy: An ‘In Conversation’ with Arnaud Esquerre, Prof Sarah Wilson and Harry Woodlock.Enrichment: A Critique of Commodities, Luc Boltanski and Arnaud Esquerre, 2020.State of Insecurity: Government of the Precarious, Isabell Lorey, 2015.Vital Exhaustion: Late Capitalism and the Crisis of Pain.Conversations in Contemporary Asian Art.

Medieval art series#

Utopia Constructed: 2016 Friends Lecture Series.

Facing the Future: Museums and the Next Generation.

Modernities: Architecture/Design/Theory.

Art of the Buddhist World: History and Conservation.

“What a Hazard a Letter Is”: Correspondence in Feminist Art, Art Writing, and Art History, from Emily Dickinson to Now.

Courtauld Cambridge Russian Research Centre (CCRAC).

Global Early Modern: Connecting Cultures.

Painting Pairs: Art History and Technical Study.

Crossing Frontiers: Christians and Muslims and their Art in Eastern Anatolia and the Caucasus.

Exploring Fourteenth-Century Art Across the Eastern and Western Christian World.

Marie-Louise von Motesiczky Charitable Trust Collaborative MA Programme.

Eros, Thanatos, and the Throuple: Alfred Gilbert’s Mors Janua Vitae (1908).

Sex/Gender/Work: Samak Kosem’s Chiang Mai Ethnography (2017-present).

(Dis)Embodying the biomolecular sex: The lapse of identity in Jes Fan’s hormone works (2017 – 2018).Gendered Readings of the Earliest Women’s Suffrage Iconoclasm.The Ashcan School and Camden Town Group Comparative Project.CFP: Carolee Schneemann: Body Politics.Call for Papers: A One-day Colloquium on the Cloisters Cross.Call for Papers: The Itinerant Shrine: Art, History, and the Multiple Geographies of the Holy House of Loreto.Support for Externally Funded Postdoctoral Awards.